Sypnosis:

Set in 1935 in a small Texas town hit equally hard by the Great Depression, dust storms, and drought, Eugene (Finn Cole) is a young man living on a dying farm with his mother (Kerry Condon), adorable younger half-sister Phoebe (Darby Camp) and hard-ass stepfather (and police deputy) George (Travis Fimmel)—his biological father (Hans Christopher) fled years earlier with the only subsequent contact being a single postcard sent from Mexico. The only real excitement in his life comes in the form of the stories found in the pulp detective magazines. Things change one night when Eugene goes to the all-but-abandoned barn out back and discovers that serial bank robber Allison Wells (Robbie), who has been on the run following a botched heist that led to the deaths of five people, is hiding there with a bullet in her leg.

He tends to her wound and listens to her side of the story—sure, she robbed the banks but it was in protest of the same banks that took away her own family’s home and she insists that she did not kill anyone. Eugene sympathizes with her plight—of course, the fact that she looks like she just stepped out of one of his lurid stories helps a little—and he begins trying to do what he can to help her out, ranging from sneaking her food and a dress to slipping into the police station to steal evidence implicating her. What she really wants is for him to get her a car so that she can flee to Mexico. When the time comes, he winds up going with her, fueled with dreams of a more exciting life with the woman he has fallen for—although she makes it clear that her feelings towards him are not romantic in the slightest, at least at first, she is not above using them to her advantage when the situation arises.